When looking at the more basic 12 bar blues chord sequences (i.e. The bad news is that although the blues scale fits OK, so it is easy to start off playing a reasonable blues solo, it can become boring quite quickly to just use this one scale. You said “that’s the good news” what’s the bad news? The resulting dissonances are effective depending on the players taste and feel for the blues. in the key of C you use a C blues scale and do not usually change to an F blues scale for the F7 chord at bar 5. When you play the blues the same scale (based on the key you are in) is used over all three areas, i.e. No – that’s the good news: one scale fits all. Do I play a different scale for each chord? There is a blues scale which contains these notes, however in a major key most players combine the flattened notes with the natural notes. ( Not the other way round: in a minor blues all 3rds are flattened). The harmony often becomes ambiguous as the flattened 3rd will often be used in a melody at the same time as the major 3rd in the accompanying harmony. The distinctive sound of blues chords is often created by the flattening of various notes (mainly the 3rd, 5th and 7th). Do I play a different scale for each chord?īlues breaks the rules of conventional jazz harmony and improvisation.Our fundraising See here for more info….Discounts and Free Find all the best deals.Collectables Rare and unusual music stuff.CD | Playalongs Including downloads & sheet music.Beginners Downloads Free when you buy a book.
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